Simple Verse Chorus Form. Be my baby by the ronettes (1963) penny lane by the beatles (1967) smoke on the water by deep purple (1973) that'll be the day by buddy holly (1957) Ritchie valens’ “la bamba” 4 non blondes’ “what’s up” the kingsmen’ “louie louie” outkast’s “hey ya” 2pac’s “california love”
Dubbo Christian School Music Year 7
That said, we’ll dive deeper into each of these below, with a focus on how you might approach them from a compositional perspective as well. Be my baby by the ronettes (1963) penny lane by the beatles (1967) smoke on the water by deep purple (1973) that'll be the day by buddy holly (1957) The form consists of these verses and choruses presented in alternation, though more than one verse may occur before the chorus. Ritchie valens’ “la bamba” 4 non blondes’ “what’s up” the kingsmen’ “louie louie” outkast’s “hey ya” 2pac’s “california love” Introduction this section does not cite any sources. A clear example can be found in the 1985 song. Web introduction (intro) verse chorus bridge if you have some vocabulary around music, you might already be familiar with some or all of these sections, even if you’ve never written your own songs before.
Ritchie valens’ “la bamba” 4 non blondes’ “what’s up” the kingsmen’ “louie louie” outkast’s “hey ya” 2pac’s “california love” Introduction this section does not cite any sources. Web introduction (intro) verse chorus bridge if you have some vocabulary around music, you might already be familiar with some or all of these sections, even if you’ve never written your own songs before. Be my baby by the ronettes (1963) penny lane by the beatles (1967) smoke on the water by deep purple (1973) that'll be the day by buddy holly (1957) A clear example can be found in the 1985 song. The form consists of these verses and choruses presented in alternation, though more than one verse may occur before the chorus. Ritchie valens’ “la bamba” 4 non blondes’ “what’s up” the kingsmen’ “louie louie” outkast’s “hey ya” 2pac’s “california love” That said, we’ll dive deeper into each of these below, with a focus on how you might approach them from a compositional perspective as well.